Brian Chatterton OAM
Brian Chatterton OAM was Musical Director of Co-Opera since its inception in 1990. He was formerly Head of Performing Arts at the South Australian College of Advanced Education, Director of the Elder Conservatorium and Dean of Performing Arts at the University of Adelaide. From 1973 to 1978 he worked with State Opera of SA as repetiteur, chorus master and musical director for many productions. He regularly adjudicates at music eisteddfods and from 1972 – 1986 was a member of the music review panels of The Advertiser, The Adelaide Review, Australian Newspapers, the international magazine Opera and the monthly publication Opera-Opera. Brian has studied or taught in Essex, Basle, Prague, Milan, Edmonton and London.
In 2000 he was awarded an OAM for his services to music and music education and in 2003 he was the recipient of a Centenary Medal. From 1991 – 2017 Brian has been Musical Director of over 1,000 Co-Opera performances covering every State and Territory in Australia. Additionally, from 2005 – 2012, Brian conducted over 30 performances in SE Asia, Germany, Austria and Switzerland to generous critical acclaim.
Bryan Griffiths
Bryan Griffiths was a full-time member of the horn section in the ASO from 2010-15. Before this he performed with the TSO, Sydney Sinfonia and Adelaide Art Orchestra. In 2015, Bryan was invited to conduct, teach and perform on horn at the Federal University of Santa Maria’s Festival Internacional de Inverno held in Southern Brazil. He is current Music Director of the Adelaide Wind Orchestra.
Stephen King
Stephen King performed with the Australian String Quartet from 2012-2021. Formerly, he was a member of the Australian Chamber Orchestra for nine years. He has performed with a large array of musicians in diverse venues and festivals around Australia and the world. With the ASQ, Stephen developed projects with First Nations artists and new Australian commissions and recordings.
Helen Ayres
Helen Ayres is a Doctoral graduate of the University of Melbourne and founding member of Seraphim Trio. Studied pedagogy at the Yehudi Menuhin School, teaches violin at Elder Conservatorium. Performed with the BBC Scottish Symphony and London Philharmonic Orchestra across England, Scotland, Germany, Austria and China. Helen is a past member of the MSO and has performed as guest principal with Orchestra Victoria and the TSO.
Emma Gregan
Emma Gregan plays Tutti Horn with the ASO and is an Alliance Brass artist. She holds a PhD in Musicology from the University of Adelaide and a B. Music with First Class Honours from the Queensland Conservatorium. Emma is also a composer specialising in writing for horn and brass. Her works have been performed across Australia, the USA, Europe, and Japan. She is also Artistic Director of the Adelaide Horn Jam.
Lynette Harris
Lynette Harris trained at the Elder Conservatorium, is a member of the State Opera of SA chorus performing in their productions of Parsifal, Cavalleria Rusticana, Pagliacci and La Traviata. She sang the role of Yvonne in the award-winning production of Sunday in the Park with George for the State Opera Young Artist’s program. Lyn has been involved in over 30 productions as a lead performer with many Adelaide theatre and musical companies. For Co-Opera Lyn has sung Mercedes in Carmen, Zerlina in Don Giovanni, Lois Lane in Kiss Me Kate!, Violetta in La Traviata, Musetta in La Boheme, Marcellina in The Marriage of Figaro, and Rosalinde in Die Fledermaus. She has performed with Co-Opera in Singapore, Malaysia, Germany, Switzerland and Austria.
Jeremy Tatchell
Jeremy Tatchell, New Zealand born bass-baritone, graduated with a Bachelor of Music in both viola and voice performance from the Canberra School of Music. For George Limb Opera in Canberra his roles included Don Alfonso (Cosi fan tutte), Figaro (Marriage of Figaro) and Mr Gedge (Albert Herring). Jeremy has gained much experience on the concert stage including performances of Stravinsky’s Les Noces and Mass, Bach’s St Mathew Passion, St John Passion and Magnificat, Faure’s Requiem, Haydn’s Creation and Handel’s Messiah. He has also performed as a violist with the Canberra Symphony Orchestra. Jeremy has performed a diverse number of roles with various companies around Australia including Falke (Die Fledermaus), Tonio (Pagliacci) and Zuniga (Carmen) for Co-Opera, which has also involved many performances in SE Asia and Continental Europe.
Lisa Cannizzaro
Lisa Cannizzaro graduated from the Elder Conservatorium with a Bachelor of Music [Honours] in Classical Voice. She also gained a Diploma of Languages [Japanese] and Graduate Diploma in Teaching. As well as gaining extensive employment experience in specialist music education, Lisa continues to perform as a professional soprano soloist and ensemble member with State Opera SA, Adelaide Festival, Co-Opera, Norwood Symphony Orchestra, Big Sing, Art Song Canberra, Recitals Australia, Adelaide Hills Chamber Players, South Coast Choral and Arts Society and Emma Knights Productions. Major recent performances include Zerlina [Don Giovanni], Mabel [The Pirates of Penzance], soprano Soloist [Elijah], Proms Concert [Norwood Symphony Orchestra] and Iconic Inspirations [Arts Song Canberra].
David Visentin
David Visentin graduated from the Elder Conservatorium, Uni of Adel and immediately performed many roles for the G&S Society. Later that year he joined Co-Opera for their inaugural interstate tours of the Magic Flute (Mozart) singing 1st Armed Man. In 2000 he moved to Sydney and added Alexis Pointdextre, The Sorcerer to his repertoire plus various roles in The Mikado, The Gondoliers, Yeoman of the Guard, Ruddigore and Iolanthe. He has performed principle roles in Don Giov anni (Mozart), L’occasione fa il Ladro and La Scala di Seta (Rossini), Owen Wingrave (Britten) and Il Tabarro (Puccini). Barber of Seville (Rossini) and Alfredo in La Traviata as well as tenor soloist in many oratorios.
Macintyre Howie Reeves
Macintyre Howie Reeves is a singer and director who has performed in multiple Adelaide Festival productions, including Brett Dean’s Hamlet, Danny Elfman's Music from the Films of Tim Burton and Mozart’s Requiem directed by Romeo Castellucci. He has been a soloist in Mozart’s Requiem, Bach’s Matthäus-Passion, Handel’s Messiah and guest soloist for Adelaide Carols by Candlelight 70th anniversary. Macintyre has worked with many SA companies, including the G & S Society, Emma Knights Prodns, Co-Opera and State Opera of SA. Stage credits include: Lieutenant Barri in Sondheim’s Passion, The Major General in The Pirates of Penzance, The Father in Humperdinck’s Hansel and Gretel, The Page in Menotti’s Amahl and the Night Visitors, Mr. Lindquist in Sondheim’s A Little Night Music, Pish-Tush in The Mikado and Publio in Mozart’s La Clemenza di Tito for Co-Opera.
Governance & Administration
Governance
Board of Management
Grant Piggott - Chair (General Manager, Events, Adelaide Showground)
Brian Chatterton OAM - Artistic Director (Ex Officio)
David Perry - Honorary Treasurer
Judith Leeson AM - Vector Consultants Career Counselling
Lester Wong - Players’ Representative
Administration
Brian Chatterton OAM - General Manager
Eleanor Packer - Administration
David Perry - Finance
Alex Makeyev - Photography
Peter Fisher - Photography
Lester Wong - Photography, Social Media and Website design
Andrew Wiering - Audio Visual
ACKNOWLEDGEMENTS
• Hans and Petra Henkell for Principal Sponsorship
• David Perry for pro bono bookkeeping services
• Andrew Taylor for photographic location
• Anne-Marie Grisogono for pro bono rehearsal space
• SV Partners for pro bono printing
• Adelaide Showground for rehearsal space sponsorship
We are proudly supported by the Henkell Family Fund no 2, a sub-fund of Australian Communities Foundation
Benefactors to the
Adelaide Hills Chamber Players
Patrons
Anonymous
Beerenberg Foundation
David & Elizabeth Ellis
Bette Hardy
Hans & Petra Henkell
Royal Commonwealth Society (SA Branch)
Platinum
Aldridge Family Trust
Denis and Vee Noble
Anne-Marie Grisogogno
Robert and Cynthia Kimber
Charlotte & Henry Rischbieth
Gold
Anonymous
Grace Bawden
Alan Scott
Judy and Harry Clarke
Silver
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Julie Almond
Jan and John Davies
Andrew Georg
Barry and Joan Hailstone
Anne Hartnett
Margaret Killick
Rebecca Llewellyn
Barbara Mayfield/Nick Canny
Metod Setnikar
Anonymous
Bronze
Hazel Douglas
Lesley Ewing
Richard House
Trevor and Maria Jones
Helen March
Steven Marshall
Melinda Olsson
Jill Tyrrell
Roger Rees
Elizabeth Campbell
Thank you.
Your support for to the Adelaide Hills Chamber Players
makes it possible for us to keep the music alive in the Hills!
Become a Benefactor of the
Adelaide Hills Chamber Players
BRONZE BENEFACTION $1 - $199
SILVER BENEFACTION $200 - $499
GOLD BENEFACTION $500 - $999
PLATINUM BENEFACTION $1000 - $4999
PATRON BENEFACTION $5000 +
Benefactions can be made by credit card, cheque OR Electronic Funds Transfer to:
Adelaide Hills Chamber Players Public Fund
BankSA : BSB 105-011 : A/C no 117484340
[Please enter your name in reference cell]
POST cheques and benefaction forms to:
Adelaide Hills Chamber Players
PO Box 179 ECHUNGA SA 5153
Enquiries: phone 0409695952 or brian@brianchattertonspecialtymusic.com.au
Benefaction Form:
After receiving public funding from the South Australian Government annually for three years, Adelaide Hills Chamber Players have been denied funding for 2024. The exciting project initiated by Stephen Marshall directly from his Premier’s Office in 2021 has come to a crashing halt.
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Our company was formed with the express purpose of presenting top-end fine music performances primarily for audiences in regional South Australia and thereby provide much needed professional employment opportunities for the cream of Adelaide’s classical musicians.
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The dream with the Adelaide Hills Chamber Players was to provide a critical mass of professional performance engagements that would enable the most highly skilled practitioners to rely on professional performance employment for a modest percentage of their weekly income. Extreme reliance on teaching threatens maintenance of high-end executant skill which is “Olympian” in its demands of discipline and devotion.
This dream has interlocked with the love regional communities have always expressed for high-quality fine music. The quality of the performances made possible with public funding over the last three years can be viewed in video recordings accessible on the Gallery page of our website.
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After such a promising beginning, with the loss of State Government funding these plans/dreams have come to a crashing halt.
Thus, with no further assistance visible on the horizon, we are sorry to say it appears that the 2024 Summer Festival offerings will be the last involving our chamber orchestra.
Of course, we will continue to press for renewed State Government funding, and even without it we will continue to offer high quality programs with fewer forces [such as the Pocket Boheme of 2023] where modest benefactions and ticket sales can pay artists’ wages.
But what is in peril is the fate of the chamber orchestra, the ensemble that has been so deeply appreciated by loyal audience members from regional communities in particular.
If you are moved to voice your concerns, you may consider joining others who are writing individually to the Hon Andrea Michaels MP, Minister for Arts, c/o Parliament House, North Terrace, ADELAIDE 5000.
FOUR PILLARS OF AMBITION
01
Adelaide Hills Summer Festival of Fine Music
Presented annually, Chamber orchestra, Chamber choir and small ensembles.
02
Regional Performance Program
Bringing Summer festival program to more remote regional communities in Autumn and Spring.
03
Educational Outreach
Linking regional performance visits with regional communities and school workshops - welding local communities together.
04
Small Chamber Music Offerings
Morning concerts and performance soirees throughout Adelaide Hills.
You can view our complete statement in the following PDF:
About us
The object of the Adelaide Hills Chamber Players is to make high quality classical musical experience an easy convenience for Hills dwellers. Thus we plan to provide offerings in a wide range of Adelaide Hills venues including churches, institute halls and private homes. Whist the geographic nerve centre is Heysen Country, in and near Hahndorf, no Hills area need be excluded. You are only a phone call away from arranging a Chamber Players event in your own community centre.
Venues we have already performed at or under consideration include:
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St Pauls Lutheran Church, Hahndorf
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Echunga Memorial Institute
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Macclesfield Institute
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Valley of Praise Retirement Village
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Prince of Wales Masonic Hall, Mt Barker
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Gas Works, Strathalbyn
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The Music House, Echunga
We are thankful for the support and expression of support from a number of Adelaide Hills-based organisations for the aims and objectives of the Adelaide Hills Chamber Players.
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Coco Marie, Hahndorf
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Blue Belle Boutique, Hahndorf
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Heysen Electorate Office
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Gepetto's at Hahndorf, Italian cuisine
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Adelaide Hills Visitors Information Centre, Hahndorf
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Adelaide Hills Tourism
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Co-Opera
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Royal Commonwealth Society, SA Branch
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Mount Barker District Council
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Beerenberg Foundation
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